Edgar Allen Poe
William Shakespeare
Copyright © GW 2007 Poems
John Keats often wrote short, yet elaborate poems designed to capture all of the energies of a larger, more intensely styled work without putting its reader to sleep with overabundant metaphors. Though he only lived a scant 26 years, his work has had a profound effect on just about every poet since the early 19th century.
Robert Louis Stevenson of Treasure Island fame also penned his share of short poems, including “To Friends at Home” a very simple yet poignant message to his fellows back home describing how much he misses them. Like many writers of his time, his poetry has been overlooked in favor of his fiction. However, the two are almost equal in volume, and his short poetry is especially well written.
To friends at home, the lone, the admired, the lost
The gracious old, the lovely young, to May
The fair, December the beloved,
These from my blue horizon and green isles,
These from this pinnacle of distances I,
The unforgetful, dedicate.
One of the greatest poets to use short forms was Emily Dickinson. Her poems varied in length according to their subjects, be she was not unknown to have used 8 or fewer lines for her most poignant and ultimately best received poems to date. “A Charm Invests a Face” is a great example of this shortened, yet incredibly vivid style:
A charm invests a face
Imperfectly beheld.
The lady dare not lift her veil
For fear it be dispelled.
Imperfectly beheld.
The lady dare not lift her veil
For fear it be dispelled.
But peers beyond her mesh,
And wishes, and denies,
Lest interview annul a want
That image satisfies.
And wishes, and denies,
Lest interview annul a want
That image satisfies.
